In Leyla Aydoslu’s sculptures, material is attached and collaged, forming weighty pillars. Stretching horizontally or vertically, the works are made up to the extremes of Aydoslu’s own body, limited by the reach of her arms, and the edges of her capabilities to physically manipulate material. These forms pushed to Aydoslu’s limits mirror the liminality of Xie’s figures. Thresholds which he sensitively describes through the bodily proportions, and expressions of the fleshy containers that we each inhabit. Between the material and the spiritual, these works all contain surfaces that oscillate between the transitory and the eternal.